Larson was story editor for the first half of season five, excluding episodes three and four, while Josh Haber served as story editor for season six. Meghan McCarthy held that title for seasons three and four, as well as episodes three and four and the second half of season five. Rob Renzetti served as the story editor for the first two seasons. Lauren Faust held the titles of developer and executive producer in season one.
TOON BOOM HARMONY SPECS SOFTWARE
The show's linework has intricate line width tapering, which Faust credits to the hard work of its directors Jayson Thiessen and James Wootton who managed to properly animate the tapered lines on the show's animation software platform, Flash. Faust said she feels lucky to be able to use colorful outlines, because it reminds her of classic Disney movies that were made before the advent of the Xerox process.
TOON BOOM HARMONY SPECS MANUAL
The Xerox process replaced manual painting with machine copying, which resulted in black, "scratchy" lines. Before the Xerox process, linework from sketches was copied and manually painted onto sheets of celluloid, which allowed for colored outlines. From a technical viewpoint, colored character outlines fell to disuse with the advent of the Xerox process. From a stylistic viewpoint, the colored character outlines "soften" the characters whose colors would otherwise sharply contrast with bold black outlines. The show's creator and original character designer, Lauren Faust, notes that this is both a stylistic and a technical choice. The characters in the series have colored outlines of varying thickness.
TOON BOOM HARMONY SPECS MOVIE
The Movie is animated with Toon Boom Harmony. With the exception of the musical shorts, which are still done by DHX, the My Little Pony Equestria Girls: Summertime Shorts are animated by Hasbro-owned Irish animation studio Boulder Media Limited. The layouts are turned into an animatic, and then an animator works from the animatic, taking several days to a week to animate a one-minute scene. The storyboards and layouts are done prior to the actual animation by the studio's leading artists. The show is distinct from most other animated shows for having a layouts stage, which details the action more thoroughly than the storyboards, with respect to key poses, composition, and color balancing. The storyboard artists have a month to board an entire episode. Like classic cartoon shows, episodes are storyboarded in addition to being scripted to facilitate the visual aspect of the animation. An episode takes several weeks to animate at the same time with the other episodes, not including scripting, storyboarding, and voice recording, which are done beforehand. Each crew works on three episodes concurrently each episode is staggered by a week from the others.
There are three animation crews, one in Canada and two in the Philippines. You can assist by editing it.įriendship is Magic is animated with Flash 8, in conjunction with many third-party and proprietary customizations, many of which are developed by co-director James Wootton. This section should be expanded or updated (, , ).
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